New Products

This leaf is from the intriguing transitional period when Books of Hours began to be printed from movable type.  To mimic the appearance of ... more info

This vellum leaf is from a Book of Hours printed in Paris in 1502 by Phillipe Pigouchet for Simon Vostre.  Pigouchet’s intricate and ... more info

A leaf from Grüninger’s first edition with the gloss by Sebastian Brant. Of all classical Latin poets, Virgil has held the most secure ... more info

This leaf is from a Book of Hours printed in Paris in c.1530, very likely by Yolande Bonhomme.  The text is a portion of the Suffrages of the ... more info

An important example of early German music printing, from Georg Reyser’s Antiphonarium Herbipolense.     Hymns to St. ... more info

This vellum leaf is from a priest's working Breviary produced most likely in Southern France or Italy in the mid-14th century. The rounded, ... more info

Likely produced by a secular Northern French (probably Paris) atelier.   The parent book of this leaf was very likely a personal working ... more info

Lives of the Saints by Petrus De Natalibus Verso:  Two columns of Latin text printed in two sizes in black in a gothic font on laid rag ... more info

An intricately printed leaf with classical and contemporary glosses. Of all classical Latin poets, Virgil has held the most secure place in the canon ... more info

Recto: Six lines of music in quadrat (square) notation written on parchment on five-line staves with F and C clefs and a custos *.  The text is ... more info